teaspoon.art tompkins~stevers productions
creativity is essential
creativity is essential
teaspoon is a joint venture of Paul Tompkins & Ike Stevers, who have been together since 2001, and married since 2011. We came to Phoenix from the SF Bay Area in 2006. We have both been artists and tech types our whole lives, and this project has been over 20 years in the making...
I grew up in an artist's family with many abstract expressionist paintings around the home, which I think directly influenced my own style. But my interest in depicting the male form as subject matter comes from attending classes and independent drawing groups throughout my adult life. With my mother's permission, I first started drawing
I grew up in an artist's family with many abstract expressionist paintings around the home, which I think directly influenced my own style. But my interest in depicting the male form as subject matter comes from attending classes and independent drawing groups throughout my adult life. With my mother's permission, I first started drawing nudes as a teenager when I attended a life drawing class at a local community college. My continued art school training required more life drawing. But it was a revelation when I began attending a drawing group for gay men after moving to San Francisco in 1985. It was there that I felt more freedom in exploring a gay male aesthetic than I had had in a more traditional academic setting.
During the late 80's and early 90's I studied the use of the personal computer as an artist's tool, which was still in its infancy. I learned to use Photoshop 1.0 on a black and white pixel Macintosh. My focus was on developing interactive work that could be transported on whatever pre-Web media that was available at the time. From floppy
During the late 80's and early 90's I studied the use of the personal computer as an artist's tool, which was still in its infancy. I learned to use Photoshop 1.0 on a black and white pixel Macintosh. My focus was on developing interactive work that could be transported on whatever pre-Web media that was available at the time. From floppy disks to larger removable magnetic hard drive platters and zip drives, then optical drives to CD ROMs to DVDs; as the media was able to hold more data, the more sophisticated work could be created. I worked for a few established artists assisting them with the constantly evolving technology, as well as freelancing as a programmer and interface designer for a few companies.
When the tech economy bubble burst around 2001, I ran out of freelance work and took a job at an art supply store. I met my husband Ike, and took the time to focus on traditional media and my original favorite subject matter, the male nude. After a couple years, we moved to Phoenix, AZ. Since then, I've been looking for ways to combine th
When the tech economy bubble burst around 2001, I ran out of freelance work and took a job at an art supply store. I met my husband Ike, and took the time to focus on traditional media and my original favorite subject matter, the male nude. After a couple years, we moved to Phoenix, AZ. Since then, I've been looking for ways to combine the use of digital and manual artist’s tools. I've also been expanding the content of my work in other figurative directions.
I grew up with classic early 50s and 60s music my mom listened to, and later the Motown sound. My favorite coming of age artists are mostly later 60s psychedelia and early 70s folk rock. My college years brought prog rock and jazz fusion. Then, of course, I was a disco dancer lol. I got a degree in psychology from Ohio State University, w
I grew up with classic early 50s and 60s music my mom listened to, and later the Motown sound. My favorite coming of age artists are mostly later 60s psychedelia and early 70s folk rock. My college years brought prog rock and jazz fusion. Then, of course, I was a disco dancer lol. I got a degree in psychology from Ohio State University, working for grad students on the terminal of an early room sized computer with punch cards. I also studied dance and choreographed and performed. My musical taste is eclectic and now spans nearly 7 decades. Some favorites: the Beatles, Crosby Still, Nash & Young, Cat Stevens, Joni Mitchell, Rolling Stones, Patti Smith, Bowie, T. Rex, Pink Floyd, Yes, Mahavishnu Orchestra, Vangelis, Eno, Grace Jones, Black Box, Madonna, the Cure, Mickey Hart, MGMT, Tame Impala, Robert Rich, Boards of Canada, Bonobo… to name a few.
My early life was full of music, on both sides of my family. My grandmother played piano, originally for a church, and was able to read some music, but mostly played from memory. She would show me a chord or phrase until I could learn an entire song just by watching and listening. My mother and all of us sang, a lot. My mother taught my s
My early life was full of music, on both sides of my family. My grandmother played piano, originally for a church, and was able to read some music, but mostly played from memory. She would show me a chord or phrase until I could learn an entire song just by watching and listening. My mother and all of us sang, a lot. My mother taught my sister and me to harmonize when we were very young. She spent her later years singing in a church quartet. I spent my youth writing poetry, sometimes submitting work to Nashville for use as lyrics. Throughout my youth, I played on the piano and keyboard, almost entirely by ear. I would figure out how to recreate a song by lifting the needle on my 33 LPs and repeating over and over until I had it all. I played percussion in the high school marching and concert bands. I learned some chords on the guitar my father gave me for graduation, and played in parks on the college campus while groups of friends sang along with me. In my later 20s I continued to write a lot of poetry, making futile efforts to get my manuscript published. But I stayed creative.
Later in my 30s I sang in some musicals at large sober gay conventions, including solos in front of hundreds of people. I acquired a MIDI keyboard in the mid-90s and got an analog sequencer. Using that rudimentary equipment with a double cassette deck, I created early electronic music - basically figuring it out on my own. That older stuf
Later in my 30s I sang in some musicals at large sober gay conventions, including solos in front of hundreds of people. I acquired a MIDI keyboard in the mid-90s and got an analog sequencer. Using that rudimentary equipment with a double cassette deck, I created early electronic music - basically figuring it out on my own. That older stuff is pretty quaint to me now. I had a dry spell for a decade, during which time I met my husband Paul. At that time I was a Web developer. We moved from the Bay Area to Phoenix, where I had another career. Then we decided I could retire and my inspiration was renewed, so I bought an M-Audio keyboard and Logic Pro software. I attended the Audio Production course at a local community college and began this phase of composing and producing the electronic music I am sharing and distributing now.
please let us know if you'd like more info about any of our work, a print of one of paul's pieces, or where to listen to or purchase ike's music
(under development): teaspoon store
combining simple images ~ mostly 'gestures' of the male form ~ with a line or two of poetry, to create a visualization of thought & emotion on a level above the mundane
great gifts, or keep them for yourself!
creativity is essential
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